Golf ball hitting steel at 150mph, recorded at 70 000fps
15th century cartoon?
This German block book is one of several bound together in one volume and kept in the university library of Heidelberg. They all date from circa 1455-58. Though I am unsure of what is going on in this book, I believe it is the story of the fox and the sick lion.
The Temples on the Island of Philae during the flooding in 1908, Egypt
“These arid places of clay and shale are the backdrop to harsh, desolate, and infinitely beautiful places. Few hardy plants manage to eke a living here and trees only thrive along scant waterways cutting through the parched landscape. On rare years, wildflowers burst into stunning display of color, transforming the desert into a veritable garden for but few precious days. This area is also coveted for off-road motorized travel, in many places despite legal closures to protect the fragile ecosystem. This is a place where humans always struggled, yet always fought for.”
A young Kenyan woman holds her pet deer in Mombassa, March 1909.Photograph by Underwood and Underwood
Feb. 9, 2014. Snow masses pile up on the rooftops of the village of Bedretto, Switzerland. Karl Mathis—EPA
In photos: “Turkana” by Jehad Nga.
A photographer of Libyan descent born in the United States and raised between Tripoli, Libya and London, England, Jehad Nga's lens has explored many stories and identities all over the African continent. From photographing a beauty contest in Botswana for HIV affected to women, night commuters in Ugandan, and the Liberian civil war, to illegal migration in to South Africa and documenting his own country, Libya, Nga's body of work is unique in that it contains projects that cover all regions of the African continent.
In this 2010 series titled ‘Turkana’, Nga’s photographs highlight the people of the Turkana region of Kenya - perhaps the area worst hit by drought in the country. Despite oil and water reserves in Turkana, the people reap few of the benefits as the government and large corporations take control of these resources.
According to Nga, the Turkana are ‘dwindling in numbers’ due to drought and subsequent neglect from them Kenyan government. Devastatingly, as a result of food and water shortages and with little to no aid reaching them, for some of the people photographed by Nga, these are the very last images of them. Shortly after photographing them, several of the individuals photographed passed away as a result of starvation caused by drought.
With the darkness filling up the negative space in the photographs, the significance of this sombre effect is to show the disappearing of a people. Nga’s aim, through these photographs, is to highlight the neglected plight of the people of the Turkana region and create a consciousness and awareness concerning their situation.
All Africa, All the time.
Libyan photographer Jehad Nga takes us inside Malick Sidibe’s home and studio.
We’re all familiar with the iconic work of Malick Sidibe, one of the world’s most noted vintage studio portrait photographers. His work has been exhibited all over the world, creating a timelessness element to the Mali of days gone by. But what has become of the photographer, his studio and the magic, in the form inspiration, we see when we look at his images?
Above are possibly the most recent photographs of an aging Sidibe (the very last photograph) in his one-room home, and his studio in Bamako, taken by Libyan photographer Jehad Nga almost a year ago in March 2013. I’m unsure if he’s been interviewed or photographed since.
- A curtain used as a backdrop hangs in Malick Sidibe’s Bamako studio. The curtain has been in use since the opening of the studio in 1960 and never has been replaced. Many of Sidibe’s most famous photographs feature the backdrop.
- A view from inside Malick Sidibe’s now cluttered and dusty Bamako studio. Virtually nothing has been thrown away over the years from the studio including broken cameras and studio equipment.
- Malick Sidibe’s photo enlarger now out of use sits in a corner of the photographer’s Bamako home.
- Inside Malick Sidibe’s Bamako studio, a strobe lighting system has been updated to accomidate his son Kareem’s job as an I.D. photographer.
- On the patio of Malick Sidibe’s Bamako studio, photographs taken by Sidibe as well as ones featuring him over the years decorate a wooden wall.
- Inside Malick Sidibe’s home, a huge archive of negatives sits piled up and unprotected. Sidibe and his sons are trying to find people to help them begin to digitally archive his work before much of it is ruined by moisture and dust.
- Samba Sidibe (Malick’s younger brother) sits on the floor surrounded by old studio equipment and film negatives in Malick’s bedroom.
- Inside Malick Sidibe’s Bamako studio, a collection of Sidibe’s old cameras takes up an entire wall.
- Malick Sidibe sits in his bed in his Bamako home. With temperatures rising to 110 degrees Fahrenheit, the heat take its toll on the aging Sidibe. His younger brother Samba and his sons help keep him cool using a hand fan.
All Africa, All the time.